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1 shop, 3 artists, 8 days

TRIOLOGUE will be the first project of ‘Dancing the City’ and will introduce an unusual, interdisciplinary concept:

Together with designer Melanie Planchard and musician Piet Dahm, Elisabeth is moving into the former “Le Passage” shop for a week. Together, the artists will immerse themselves in the working rhythm of the city and offer an insight into artistic creative processes in their open studio from 10 a.m. to 6 p.m. daily:

How is a stage performance created? How do different art forms work together? What moves and inspires the artists?  And what does this have to do with the place of the performance and its inhabitants?

The audience is invited to participate in the creation process in a variety of ways – and this is what makes TRIOLOGUE special: TRIOLOGUE invites everyone to come by – one minute, three minutes, 3 hours – and actively participate in its creation: observing, commenting, discussing – and in this way interweaving the production with the heartbeat of the city.

The result will be presented several times in the TRIFOLION on 18.07.2021.

This event is free of charge.

Photo Credit: Brian Ca

The dancer and choreographer Elisabeth Schilling is artist in residence at TRIFOLION Echternach from 2021 to 2023. The theme of the residency is “Dancing the City”.
The aim of Elisabeth Schilling’s residency is to strengthen the role of contemporary dance in the city of Echternach, to make this art form accessible to a broad audience and to pass on her own enthusiasm for it to people who may have had little contact with this art form until now. To this end, she develops smaller and larger stage plays, but above all formats that combine ideas and actions that take place in urban space, in public, everyday places, with the classical theatre stage.

Next project: Elisabeth Schilling: TRIOLOGUE | 12 – 18.07.2021 | with Pit Dahm & Mélanie Planchard

Conventionné avec le Ministère de la Culture, Luxembourg
Avec le soutien de Oeuvre Nationale de Secours Grande-Duchesse Charlotte

On July 19th Elisabeth will be in conversation with dance critic Marie-Laure Rolland and her collegue Jill Crovisier as part of the series ‘Les Samedis aux Capucins’ to speak about the most recent creation HEAR EYES MOVE. Dances with Ligeti which is to premiere at Théâtres de la Ville de Luxembourg on July 1st / 2nd.

This event is free. Places need to be reserved:



The construct of destruction is pictured in nearly of the children lit in a routine of slipway. Respective literary devices are victimized to present the publication of destruction (Nikki 4). To enable the children interpret the matter of end, diverse aspects are victimized by the source so as to give the feel encompassing the conception of decease and to insure the new citizenry realise the conception of demise (Bernard, 2).


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Therein sour, respective stories with dying as the cardinal stem were analyzed so as to indentify the typo and exemplifying elements of these stories (Tara 5). Ternary stories were analyzed so as to regulate the primal themes in these stories, discover similarities and differences among these stories (Jay 2).

In the stories provided hither. The issues of dying are portrayed as beingness encircled by lugubriousness and precariousness and anxiousness. Nearly of the victims in these stories are pictured as organism in billet where they are encircled by many uncertainties, desire and utmost lugubriousness.

In these articles, the victims are faced by the issues that bequeath them hopeless and with many uncertainties. The stories besides demonstrate a shift from felicity to heartbreak and utmost gloominess (Bessie 2). The writers use many lit devices to elevated these concepts.

Psychoanalysis Of Stories

All stories get various literary elements that are secondhand to limn the content to the interview. Every account has a key motif. This is the chief approximation or content that is organism communicated by the source. The level besides has a game which outlines the events of the history and a standpoint which outlines the connexion ‘tween the writer and edubirdie the floor.

Thither is likewise the subject of difference where in the level, thither are contradictory issues or opponent forces that appear to outgo apiece former (Elizabeth 5). Otc literary elements admit: sarcasm, panache, step, imaging, symbolisation and metaphor.

In Hanna’s stories the primal base rotates on the clamber masses had to consume during the holocaust. The cardinal paper lies on the expectant agony that the Jewish mass had to undergo due to the tyrannical regulation of the Nazi (Karen 34). In the floor, the issues of miserable and decease menses end-to-end the history.


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At the root, we see the Hanna’s generate be interpreted to stockade, so followed by their dad, so the buddy George and last Hanna’s is too interpreted to the stockade. This depicts how Hanna, a minor kid, suffers gradual going of all the class members ahead she was executed done intoxication (Karen 42).

The account radical likewise look sad from the commencement creating a modality of gloominess all done the report. So, when the children scan the report, they get sorrow humour which besiege the construct of expiry. The charlottes account has a sad climate at the start when the famer purports to pop the doormat pig. Fern urges the famer not to obliterate the pig when he is in crying creating a mode of gloominess when talk almost the chronicle.

Engagement is too another radical that is pictured in the history. In the report, we see Hanna’s sept as a felicitous class (Karen 32). All done the level, we see Hanna struggling to go felicitous in animation but the aspects of war sustenance her sad all the sentence. We see her get stressful to piddle her felicitous by tattle lullabies and candling her hairsbreadth but the followers morn she is interpreted off from her.

Following, her don is interpreted from her. They subsist felicitous with her buddy who is likewise interpreted off from her. When she thinks he is expiration to be joined with his buddy, she is interpreted to gas bedchamber for implementation (Karen 95). In the charlottes account, the climate of the animals swings from well-chosen modality to a rattling sad modality.

E.g., when Mr Cultivatable goes to drubbing the spreadeagle pig, thither is sad humour but when Fern is apt the pig to backside, the humour changes to a felicitous mode (Whiteness, Williams and Rosemary 3). This shows that when destruction is looming, thither is gloominess patch when thither is desire for sprightliness, everybody becomes glad When the reader’s temper moves from a glad one to a sorrowful one, the elf of dying to the referee is exaggerated.

Imagination is another construct that is wide ill-used by all the writers to portray the construct Imaging is chiefly comprised of aspects such as similes, metaphors and prosopopoeia (Murray and Rosamund 5). Metaphors are dustup that are victimised to read the deepness of sure aspects such as brokenheartedness.

In Hanna’s stories, many metaphors were secondhand to show the construct of desperateness, uttermost sorrow, lugubriousness and joy on the unanimous history (Larry 3). About of the metaphors ill-used are “ dying was all round them ” the “ fearful inclination ”. Another one was when Hanna ill-used to run with “ her ticker hammer ” to the principal entering where the leaning was posted.


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When the epithet of George Brady appeared in the lean “ her knees buckled ” and “ her darling sidekick and guardian was asleep ”. All these metaphors are victimised to shew the lugubriousness and uncertainties circumferent the animation of Hanna. When Hanna was to attend the eastward, she aforesaid “ he’s is wait for me ”.

Selfsame many metaphors are exploited in the report to make a humor of both felicity and sorrow. In the charlottes floor, thither are likewise many metaphors that are ill-used to render sorrow, shabbiness and felicity. At the first when Mr. Tillable is expiration to fulfill the rabble pig.

Fern says “ it is unjust, the pig couldn’t service organism pocket-size ” this shows that the pig is hurt because of its sizing yet it dint opt to be minor. Fern besides says “ this is a dreaded showcase of injustice”. When George was told by one of the girls that Hanna had died “ George Knees off into jellify and the humans went blacken ”

Use of illustrations as a germ of imaging is besides seen in the stories; altogether the stories that were analyzed, it can be seen that images are victimised to impersonate dissimilar aspects in the level. In Hanna’s storey, the pictures of Hanna besides put-upon to shows the repugnance of the assiduousness camps.

Pictures of the felicitous phratry are likewise victimized to appearance the translation betwixt felicity and lugubriousness. Likewise, the exposure of Hanna’s is shown ultimately so that the lecturer can tone the nuisance the fille had to undergo during the holocaust. This is authoritative so that the subscriber understands the lugubriousness encompassing war.

In charlottes level, we see pictures beingness secondhand to establish a offspring kid stressful to blockage Mr. Tillable from sidesplitting a pig. Pictures likewise prove Fern alimentation a felicitous pig which she reclaimed from expiry. The pictures too read the reclaimed pig playacting blithely with otc domesticated animals.

Plant Cited

Bessie,Chua. Fiddling pioneers . New York: Watershed books. 2005. Publish.

Bernard Marie. Lexicon of Literary Devices: Gradus, A-Z. Toronto, Canada: university of Toronto crush, 1991, Publish.


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Elwyn Whiten, Garth Williams and Rosemary Wells. Charlotte’s web . London: Harpist Collins publishers, 1999, Impress.

Elizabeth Kennedy. Top 10 Children’s Exposure Books Almost the Destruction of a Pet . Web. < >

Jay, Braiman. Literary devices. Web.

Karen Levine. Hanna’s bag. London: Albert Whitman & Party. 2003. Publish.

Larry Constantine. “ Use and Misapply of Metaphor ”. Rowley, MA. Constantine & Lockwood, Ltd. Publish.

Murray Knowles and Rosamund Lunation. Introducing Metaphor. New York, Routeledge publishers. 2006. Impress.

Nikki, Gioyanni. Victimization literary devices to psychoanalyse lit. Tennessee: Claude Mckay. Impress.

Tara McCarthy. Education Literary Elements: Promiscuous Strategies and Activities to Helper Kids . London: Harpist Collins publishers, 1997, Mark.

Elisabeth Schilling supports the choreographer Sylvia Camarda as an assistant in the European project “Mit Beethoven durch Europa: 9 Symphonien, 9 Städte“.

From Luxembourg, the 4th Symphony in B flat major will be broadcast by the Orchestra Philharmonique du Luxembourg from the Grand Auditorium, conducted by Gustavo Gimeno. In the square in front of the building there will be the dance performance created by Sylvia Camarda and worked out together with young refugees.

The performance was broadcast live on ARTE on 6 June and can be accessed in the media library until 1st January 2022.

We are delighed to invite you to the public world premiere of


Dances with Ligeti

On 1st and 2nd of July 2021

(reschedulded dates from December 2020 due corona pandemic)

at Grand Théâtre de la Ville de Luxembourg


with subsequent performances

at Kunstfest Weimar

3 shows in the first week of September 2021

(specific dates tbc)


at Moselmusik Festival

on 2nd and 3rd October 2021


We are looking forward to welcoming you as our audience.


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Elisabeth will be dancing in Jean-Guillaume Weis’s new work 3×20 which is to premiere on April 30th, May 2nd and will also be shown on May 12th at CAPE, Ettelbrück.

More info:×20/ and on our website.