The piece ‘A dancing Archive’ by choreographer Artémise Ploegearts, which premiered in the past year, will be revived and reworked in the coming week in residency in Amsterdam.
Archive for month: November, 2017
After the exhibition of STADTKÖRPER as part of Kaleidoscopic Arts Platform in May 2017, the organisation has now published an interview with Elisabeth on the work.
https://artskaleid.wordpress.com/2017/11/10/reflections-on-your-work-and-its-presentations/
In the past week, Elisabeth participated in Clod Ensemble’s research residency of ‘Placebo’ at Wales Millenium Centre as part of Cardiff Dance Festival.
‘Clod Ensemble are in residence for a week at Wales Millennium Centre ahead of their performances of Under Glass. In this Open Studio event Clod Ensemble will be sharing some of the work they have begun to create over a week of research and development on a new project.
The ‘placebo effect’, despite being an age-old tool for practicing medics, has only recently become the subject of serious scientific enquiry. But does placebo have a deeper relationship to our cultural debates? We want to begin to consider what it means to ‘perform’ symptoms. How does the idea of power feed into this debate?
How radically can our bodies and minds be changed by others’
www.clodensemble.com
Lou begann im Alter von 5 Jahren in ihrer Heimatstadt zu tanzen. Im Jahr 2012 schloss sie sich dem Ballet Junior de Genève an, wo sie Werke von renommierten Choreografen wie Andonis Foniadakis oder Hofesh Schechter tanzte. 2016 schloss sie sich dem Kamea Dance Cie in Israel an, wo sie unter anderem Werke des Regisseurs Tamir Ginz, aber auch von Nacho Duato und Marco Goecke tanzte. Seit 2020 ist sie als Gasttänzerin am Grand Théâtre de Genève engagiert und arbeitet seitdem als freischaffende Tänzerin.
Johanna Schmitt
Johanna Schmitt
