Premiere of new work 2022 at TRIFOLION Echternach – more info soon

HEAR EYES MOVE  at Kunstfest Weimar 2022. Available for touring 2023, 100th anniversary György Ligeti 

Comissioned works:

We all blossom in a different colour at Philharmonie Luxembourg

All d’Déieren aus dem Bësch – Théâtres de la Ville de Luxembourg 2022

Dancing the City – Artist in Residence at TRIFOLION Echternach 2021-2023

Press & Audience Voices

HEAR EYES MOVE. Dances with Ligeti

I was very impressed by Elisabeth’s fine, poetic and sensitive work. I would never have thought that one could imagine choreographies in such  symbiosis with the music. What a wonderful work!’ 

‘Winner of the Lëtzebuerger Danzpräis, Elisabeth Schilling is the young star of the European contemporary dance’ 


‘Emotional and spiritual power combine in Elisabeth Schilling’s choreographies to create a fascinating language.’


‚A turning point in the young choreographer’s career.’

Sketches on Ligeti

‘We were strongly touched by the tight, intimate collaboration of live piano an body in motion. Not only is Cathy Krier’s rendering of Ligèty’s music an asset for the show to come, but her sheer physical, highly concentrated presence on stage adds to Elisabeth Schilling’s round and well considered, poetic, yet clear and readable dance moves. We consider the project to associate both talents to be a plain success.’

HEAR EYES MOVE. Dances with Ligeti

What was presented in the small excerpt created an enormous appetite for more.’

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‚HEAR EYES MOVE is a mammoth project. The choreographer Elisabeth Schilling ventures into the highly complex piano etudes by György Ligeti. Together with pianist Cathy Krier and five dancers, she follows the colours of the tones: a fusion of new music and contemporary dance at eye level.’


‘Her impressive work moves along the tension between a vision and its coherent realisation via the body language of dance.‘


‘The sound and dance experience impresses on a musical as well as the dance level with perfect precision’

‘They are magical images that (…) exude a moving aesthetic‘.

‘To the sometimes hard tones of Ligeti (…) the dancers float over the stage, sometimes like wind-up dolls, sometimes like birds, do pirouettes or slump and grow out of themselves and over the stage’.

Sketches on Ligeti

‚These first choreographic research results are promising. The harmony and interplay between Cathy Krier and Elisabeth Schilling is already at a very high level.’

Sketches on Ligeti

‚We had the pleasure to guest a two weeks residency of Ms. Shilling in our studio last June. I was really impressed by the concept of her «Mosaikgleiche Augenblicklichkeiten, Skizzen zu Ligeti» and the severe work that she did on the performing aspect of it. I specially appreciated the refined conceptual relation between the very complex and rigid piano score and the open, even though surprisingly precise, movement pattern. This is why we decided to present the Ligeti project in our next autumn programation.‘


‚Working with Elizabeth Schilling on bringing FELT to the Byre Theatre, St Andrews, was one of the most creative and joyful experiences of my working life. The performance in the evening was absorbing, emotional, thought provoking and truly beautiful. Elizabeth combines an intellectually rigorous approach to her research with an ability to fluently communicate her ambition and intention for the piece. (…) Elizabeth puts audience experience at the centre of her performances, her ability to gently and beautifully engage with her audiences is impressive and is incredibly helpful in breaking down the barriers normally associated with contemporary dance, which can only support audience growth and development for the artform. This is especially evident in her approach to post show conversation which creates a safe space for discourse.We are extremely fortunate that an artist of Elizabeth’s calibre is happy to work with us in Scotland and I very much look forward to our next adventure together.’ 


‚Mesmerizing, very intruiguing!’ 


‚Music and dance are indeed on an equal footing.
Both genres form an almost perfect symbiosis’.


‘Immense energy and empathetic attentiveness exude from the young, tall woman who has always wanted to be a dancer.’


‘Hear Eyes Move proves that the meticulous preparation of the project by the choreographer has borne fruit. And how tasty they are!’

‘We can see in this determination, this tenacity, this creativity to adapt to the circumstances, the hallmark of the work of Elisabeth Schilling.‘

‘There is a lot of grace and liveliness in this writing, a substrate of classicism on which contrasting expressions fan out, distinct or flexible, tense or relaxed, adjusted to the millimeter and remarkably executed by a collective in symbiosis with the pianist.’