Rehearsal Teaser August 2020
HEAR EYES MOVE
Dances with Ligeti
Have ever two forms of art entered a closer and more intricate relationship than music and dance? But how does music actually move? How does dance sound? And where do these sounds and movements meet, once they are liberated from their purported duty to mimic or mirror, to illustrate, to produce an atmosphere, to provide a backdrop, or even to merely coexist, in neat separation?
The Hungarian composer György Ligeti said of his virtuosic Études pour piano that in the process of composition “tactile concepts were almost as important as acoustic ones”. The movements and developments of music, in other words, are not merely a matter of hearing but of sensation, they come to be felt “as a tactile form, as a succession of muscle tensions”. Through these forms and successions, Ligeti’s pieces thus behave like “growing organisms”, and it is following this line of thought that the choreographer Elisabeth Schilling has created an unprecedented take to choreographically interpret those Études pour piano. Treating dance and music as contiguous forms that grow alongside and into each other, she has produced, together with five dancers and the pianist Cathy Krier, a dance-concert and a concert-dance full of captivating multi-sensorial imagery, in which no form or medium ultimately dominates the other.
PREMIERE: 16. / 17. Dezember 2020
Grand Théâtre de la Ville de Luxembourg
Jean-Francois Boukobza, musicologist and Ligeti-specialist
“What was presented in the small excerpt created an enormous appetite for more.”
Eva-Maria Reuther, Trierischer Volksfreund on preview performance at Mosel Musikfestival 2020
Concept & choreography Elisabeth Schilling
Live piano Cathy Krier
Creative assistance & rehearsal direction Brian Ca
Dance Elisabeth Christine Holth, Piera Jovic, Brian Ca, Valentin Ganiot, Natalia Gabrielczyk / Cree Barnett-Williams
Costume & stage design Michèle Tonteling
Dramaturgy Moritz Gansen
Lighting design Fränz Meyers
Graphic design Annick Kiefer / STUDIO POLENTA
Photography & videography Bohumil Kosthoryz
Translation Moritz Gansen, Claire Mélot
Produced by Elisabeth Schilling / Making Dances a.s.b.l
Support in administration, producing & consultancy Veronika Meindl, Jana Robert, Aurel Thurn
PR & Production assistance Tyśka Samborska
Administrative assistance Johanna Schmitt
Funded by Ministère de la Culture Luxembourg
Coproduction Les Théâtres de la Ville de Luxembourg, Kunstfest Weimar, Mosel Musikfestival.
Supported by Philharmonie Luxembourg, Œuvre National de Secours Grande Duchesse Charlotte, Ministerium für Wissenschaft, Weiterbildung und Kultur des Landes Rheinland-Pfalz / Kultursommer Rheinland-Pfalz, TROIS C-L Centre de Création Chorégraphique Luxembourgeois, European Commission, Erasmus for Young Entrepreneurs, Fondation Indépendance, FOCUNA, Monodrama Festival.
Residencies at SPAM!_residenze e programmazione, Italy, WU Art Space, Sweden, Fiskars Artist in Residence Programme, Finland, Dance 4, Nottingham, England, Maison du Portugal Paris, France, TROIS C-L, Centre de Création Chorégraphique Luxembourgeois, Luxembourg, Moselmusikfestival, Germany, Grand Théâtre de la Ville de Luxembourg.
Special thanks to MMK Rechtsanwälte, CASTEGNARO | Ius Laboris Luxembourg | Global HR Lawyers, Jürgen Greis, Frances Tipper, Roxanne Peak-Payne.