TRIOLOGUE
TRIOLOGUE
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13.07 – 16.07.2022
(postponed from 2021)
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1 atelier, 3 artists, 8 days
TIOLOGUE will be the first project of ‘Dancing the City’ and will introduce an unusual, interdisciplinary concept:
Together with designer Melanie Planchard and musician Piet Dahm, Elisabeth is moving into Echternach’s ‘Denzelt’ for a week. Together, the artists will immerse themselves in the working rhythm of the city and offer an insight into artistic creative processes in their open studio from 10 a.m. to 6 p.m. daily:
How is a stage performance created? How do different art forms work together? What moves and inspires the artists? And what does this have to do with the place of the performance and its inhabitants?
1 atelier, 3 artists, 8 days
TIOLOGUE will be the first project of ‘Dancing the City’ and will introduce an unusual, interdisciplinary concept:
Together with designer Melanie Planchard and musician Piet Dahm, Elisabeth is moving into Echternach’s ‘Denzelt’ for a week. Together, the artists will immerse themselves in the working rhythm of the city and offer an insight into artistic creative processes in their open studio from 10 a.m. to 6 p.m. daily:
How is a stage performance created? How do different art forms work together? What moves and inspires the artists? And what does this have to do with the place of the performance and its inhabitants?
The audience is invited to participate in the creation process in a variety of ways – and this is what makes TRIOLOGUE special: TRIOLOGUE invites everyone to come by – one minute, three minutes, 3 hours – and actively participate in its creation: Through various pre-created structures, the audience is invited to observe, comment, discuss, draw, reflect – and in this way interweave the production with the heartbeat of the city.
The result will be presented several times in the TRIFOLION on 16.07.2021.
The result will be presented several times in the TRIFOLION on 16.07.2021.
This event is free of charge.
Photo Credit: Brian Ca
Funded by: Ministère de la Culture, Luxembourg, Oeuvre Nationale de Secours Grande-Duchesse Charlotte
Lou begann im Alter von 5 Jahren in ihrer Heimatstadt zu tanzen. Im Jahr 2012 schloss sie sich dem Ballet Junior de Genève an, wo sie Werke von renommierten Choreografen wie Andonis Foniadakis oder Hofesh Schechter tanzte. 2016 schloss sie sich dem Kamea Dance Cie in Israel an, wo sie unter anderem Werke des Regisseurs Tamir Ginz, aber auch von Nacho Duato und Marco Goecke tanzte. Seit 2020 ist sie als Gasttänzerin am Grand Théâtre de Genève engagiert und arbeitet seitdem als freischaffende Tänzerin.
Johanna Schmitt
Johanna Schmitt
