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14 Jun 2016

The Passion of Andrea, or: How We Learned to Laugh with Our Monsters

Elisabeth is very excited to be dancing in the new production of Simone Mousset, which has been devised in collaboration with Koen Augustijn. ‘The Passion of Andrea, or: How We Learned to Laugh with Our Monsters’ is a production of TalentLab, Grand Théâtre Luxembourg and will premiere on June 15th in Luxmebourg.  

15 May 2016

Historical Dance in an Antique Setting – Tate Britain

Elisabeth is very excited to be performing in Pablo Bronstein’s commission for the Tate Britain 2016 over the summer.   https://www.facebook.com/CNNStyle/videos/1750716845205570/?pnref=story httpss://www.theguardian.com/artanddesign/2016/apr/25/pablo-bronstein-tate-britain-dancers-mix-madonna-baroque

15 May 2016

Dance connects and unites

Project for people from the whole world 20th Juni – 01th July 2016 in Juvente Mainz Dance doesn’t need language, doesn’t know boarders neither the idea of nationality. Dance simply needs an openness for harmonic togetherness through movement. I would thus like to invite teenagers that fled to our country from far as well as local teenagers to use the possibility within the project to get in touch with each other. Moreover, I would like to fill the every day […]

10 May 2016

ProDanceLeeds

Elisabeth is excited to be teaching class at ProDanceLeeds from 10th – 14th May 2016. More information on: httpss://www.prodanceleeds.com/

10 May 2016

Creative together – Side by Side

‘Creative together – Side by side’ is an intercultural project with dance, music and singing for people aged 14 – 22 from all over the world! 05 / 05 bis zum 08 / 05 / 2016 in Jugendbildungsstätte Marienburg, 56856 Zell Music and dance are languages that communicate between people beyond borders and nationalities. As part of this project, we would love to use these languages to get in touch with teenagers that fled from far. Together in harmony, with […]

10 May 2016

Ainhoa Achutegui writes about ‘Impressing the Grand Duke’

We are proud that the director of Abbaye Neumünster Luxembourg startet a discussion in Tageblatt Luxembourg on the subjects raised in ‘Impressing the Grand Duke’.

23 Apr 2016

First reviews of our previews of ‘Impressing the Grand Duke’

‘…through playful self-reference the show portrays the qualities that one expects: original, fresh, authentic, creative, innovative. Long live humour and cheekiness!’ We can’t wait to premiere our new work the upcoming week! 27. – 30. April in Bannanefabrik | 12 rue du Puits | L-2355 Luxembourg-Bonnevoie More info on: httpss://www.danse.lu/evenements/les-emergences-volume-3/les-emergences-volume-3-2/

15 Apr 2016

Impressing the Grand Duke

Collaborating together with Luxembourgish choreographer Simone Mousset, Elisabeth has created the piece ‘Impressing the Grand Duke’ which will premiere in April as part of the programme ‘Les Emergences – vol. 4’ at TROIS C-L, Centre de Création Chorégraphique Luxembourgeois. Il était une fois une artiste nommée Nymphadora. Nymphadora vivait sur le troisième arc-en-ciel (vu de la gauche) dans le dernier Grand-Duché du monde. Là, elle rêvait, dansait et créait du matin au soir. Tout était parfait dans le monde de […]

10 Apr 2016

Les Emergences – Vol. 3 im Cercle Cité

On April 11th you are warmly invited to see some extracts of Elisabeth Schilling’s and Simone Mousset’s new piece ‘Impressing the Grand Duke’ being performed at the previews of ‘Les Emergences – Vol. 3’ in Luxembourg. Free entrance! Info on: www.danse.lu Après le succès des deux premières éditions en 2015, « Les Émergences » sont de retour, invitant le grand public à découvrir les univers artistiques des nouveaux visages de la danse contemporaine au Luxembourg. Un projet du TROIS C-L […]

09 Apr 2016

Dancing Archive

Elisabeth will start the first week of rehearsals for the production ‘Living Archive’ by choreographer Artémise Ploegearts to be premiered in Novmber at Oostblock Amsterdam! https://bodybodybody.hotglue.me The Choreographer’s note:‚I see the body as a filter of experiences rather than a container. I believe that it has no core or essence that would determine its identity. I rather understand it as a filter of experiences that transforms depending on its contact with its environment. I like working on bodily sensations in […]

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